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      <image:caption>On stage at London’s King’s Place for British Violin Maker’s Association Maker’s Day – playing selected new instruments in concert and talking to the audience about them…</image:caption>
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    <lastmod>2024-10-03</lastmod>
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      <image:caption>The 19th-century’s cello archetype: Stradivari’s ‘Duport’ cello (1711) as illustrated in the Hill brothers’ book (1901)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1564156621860-VU2QKKLPSF50U3CL4GYW/pizz+or+arco.png</image:loc>
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      <image:caption>This is an excerpt from Debussy’s corrected proofs for the violin sonata. Looking at the fair manuscript of this passage it seems likely that Debussy had intended the material in the first bar of the second system here to be pizzicato. It’s difficult to make it work in practice and what appears in the corrections here is probably a fudge…</image:caption>
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      <image:caption>When is a ‘rest’ not a ‘rest’? I can understand why the engraver didn’t like these indications of resonance in the cello and piano into the third movement of the cello sonata (even though Debussy indicates a ‘subito’[!] attacca). The ‘solution’ in the first edition was to scrap them but I think they are needed to keep the sense of continuity. (Even recent critical editions omit them, without comment in critical notes.) The third movement has already been signalled some bars earlier and Debussy liked these kinds of ‘cinematic’ transitions.</image:caption>
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      <image:caption>This little note, that the pianist should never forget that they are not ‘fighting’ the cello but ‘accompanying’ it, sits at the bottom of a page of the continuity draft of the Finale of the cello sonata, suggesting that it must have been workshopped at some stage – but when, where, with whom?</image:caption>
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      <image:caption>I’d like to find a cellist who could play this passage as proposed in harmonics! (The tempo is crotchet = 92.) Debussy’s ‘solution’ in the final version: play it sul ponticello. Knowing this first version gives a useful hint about losing the ‘fundamental’ in ponticello…</image:caption>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Glenn Brown The Real Thing (cover image used with permission)</image:caption>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Mihailo Trandafilovski, Peter Sheppard Skaerved and Neil Heyde recording Justin Connolly’s String Trio, RAM, April 2024</image:caption>
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  <url>
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    <priority>0.75</priority>
    <lastmod>2025-11-16</lastmod>
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      <image:title>Work</image:title>
      <image:caption>Experimenting with harmonics touching two nodes…</image:caption>
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      <image:caption>Rehearsing before the concert…</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/290edef1-8bc6-4960-bac3-bc06f856a0b5/Screenshot+2023-08-09+at+13.54.42.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>The recording isn’t out yet, but here’s a score fragment and a low-res preview of Athena’s “Little Owl’…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1ea859c5-3280-444f-9d0d-8385825ff35d/Screenshot+2023-08-10+at+11.23.57.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Bars 82ff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/6c57ed14-6c11-41c6-9107-78fe26cc270f/Screenshot+2023-08-10+at+11.21.57.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Opening bars</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/08470fc5-d533-4807-8dbe-2d050db45b4e/Screenshot+2023-08-10+at+11.23.32.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Bars 42ff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/b86f74df-be47-4305-9d6a-e45ec78c363f/Screenshot+2023-08-15+at+14.20.55.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>The opening of Unikat, to give just one example of Richard’s very varied notational strategies, and the richness of the interrelationships!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/41b88f55-be35-4028-b994-eb332e5ae43c/fcr358_cover.750x0.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Glenn Brown’s extraordinary image for the cover of the disc (with permission): When we return you won’t recognise us (2020 – detail).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1564143851291-EE784IXIPZ5DGFDA6JYD/Michael%2BFinnissy%2B-%2BChi%2BMei%2BRicercari%2B%25282013%2529%2BProResLT-2.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1564144463305-5M635OR89P4QR79J866A/Screen%2BShot%2B2019-07-26%2Bat%2B13.32.03.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1566221419674-YMU4JA37JDNHRQNIQMQQ/Serevais+cello.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1566237726970-9XYGQB4F2LC4XI6JYHZR/Franchomme+Chopin+copy.png</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1604756073605-EMT96JDSELO2G4BU0T5U/Ferneyhough+spluttering-Exposure.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1691587141862-FWJGFNAFO0AOBWSBKNSR/Athena+Owl.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1692009979944-VE62HR3Q4MIKH3GIJPVQ/Screenshot+2023-08-10+at+11.17.46.png</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1692104589738-3UEJHYO2BT2KVNBUOFHI/fcr358_cover.750x0.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1727951987498-G13SAL5T55KT28NJCFYI/20200220_185733.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
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  <url>
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    <lastmod>2024-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1558694215654-8MLCYGIW6IL31KDMPZ2R/Neil+Heyde+cello+performing+in+studio.jpg</image:loc>
      <image:title>About Neil Heyde</image:title>
      <image:caption>In Anthony Gormley’s studio, photo Colin Still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ce7c6fc6053ab0001f9ba8f/1604421860541-RVJ56S6OZEQOM457FOYY/Neil+Heyde+cello+Royal+Academy+Music.jpg</image:loc>
      <image:title>About Neil Heyde</image:title>
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  <url>
    <loc>https://www.neilheyde.com/cookie-policy</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2019-08-09</lastmod>
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